How many people know you? I mean really know you. Beyond your favorite color, favorite book, or favorite song. Who knows what lurks in the depths of your mind, what captivates your soul, and why? Who knows your passions? Your fears? Your desires? Who knows all these things about you and accepts you anyway?
BEST FRIENDS YOU DON’T GET TO TALK TO VERY OFTEN BC YOU’RE BOTH JUST REALLY BUSY WITH SCHOOL OR WHATEVER BUT ITS NOT A BIG DEAL BC YOURE STILL THE BEST OF FRIENDS NO MATTER WHAT, ARE THE BEST KINDS OF FRIENDS IN THE WHOLE WORLD
I want them to argue. I want them to be sad. I want them to worry. I want there to be tension. Because that’s what a relationship is. They can love each other, but that doesn’t mean they get along or are happy all the time. It’s perfectly normal for people to be sad and worried or fight. Them being happy and loving all the time just doesn’t feel right to me.
One time I was masturbating in the shower and came so hard that I couldn’t keep in my scream but I knew my brother was in the bedroom next door and that he’d hear and know what I was doing so I quickly transitioned into singing the opening of the Lion King.
Yo dawgs, just a minor PSA: if you wanna chat with me (Skype, gmail chat), then that’s awesome and I don’t mind at all! But when you send a friend request, could you maybe just let me know who you are? Because I honestly have no idea 90% of the time and I’m prone to assuming it’s spam. ¯\(º_º)/¯
fun prank; tell women they’re only good for romance, sex, and having children. and then laugh at them for wanting romance, shame them for having sex, and act like they have to give up all facets of their personalities if they become mothers
“Female job applicants with children are 44 percent less likely to be hired for a job than are childless women with similar qualifications. Fathers, by contrast, are 19 percent MORE likely to be hired than are comparably qualified men without children.”—
"Getting a Job: Is there a Motherhood Penalty?" American Journal of Sociology, 2007 (via checkprivilege)
listening to people talk about something important to them or tell a story is so nice like they get so into it and when you ask a question you can practically see how happy it makes them that you’re listening and interested in what they have to say and it’s just really nice
do you ever go to bed and you’re lying awake in the middle of the night and suddenly you start laughing because of something you saw on the internet today and then you’re sad because you realise you’re laughing alone in bed thinking about the internet
business:I can't afford to pay my employees a living wage.
free market conservatives:Lazy! If you can't afford one of the basic expenses of running a business, you shouldn't be running a business. Go back to school and learn how to run a business! Get a better business model! Why should you expect the rest of us to prop up your failure by feeding and clothing the employees YOU can't pay for with our tax money?
The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation of black people in the ancient world. Classic essays by distinguished scholars are aptly contextualized by Jeremy Tanner’s new introduction, which guides the reader through enormous changes in the field in the wake of the “Black Athena” story.
From the Demonic Threat to the Incarnation of Sainthood, written largely by noted French scholar Jean Devisse, has established itself as a classic in the field of medieval art. It surveys as never before the presence of black people, mainly mythical, in art from the early Christian era to the fourteenth century. The extraordinary transformation of Saint Maurice into a black African saint, the subject of many noble and deeply touching images, is a highlight of this volume. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.
Africans in the Christian Ordinance of the World, written by a small team of French scholars, has established itself as a classic in the field of medieval art. The most striking development in this period was the gradual emergence of the black Magus, invariably a figure of great dignity, in the many representations of the Adoration of the Magi by the greatest masters of the time. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.
The much-awaited Artists of the Renaissance and Baroque has been written by an international team of distinguished scholars, and covers the sixteenth and seventeenth centuries. The rise of slavery and the presence of black people in Europe irrevocably affected the works of the best artists of the time. Essays on the black Magus and the image of the black in Italy, Spain, and Britain, with detailed studies of Rembrandt and Heliodorus’s Aethiopica, all presented with superb color plates, make this new volume a worthy addition to this classic series.
Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa, but conceptually it emphasizes the ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life in cities and ports engaged in the slave trade.
The Eighteenth Century features a rich collection of images of Africans representing slavery’s apogee and the beginnings of abolition. Old visual tropes of a master with adoring black slave gave way to depictions of Africans as victims and individuals, while at the same time the intellectual foundations of scientific racism were established.
Slaves and Liberators looks at the political implications of the representation of Africans, from the morality of slavery, through abolitionism, to European imperialism in Africa. Popular imagery and great works, like Turner’s Slave Ship, cast light on widely differing European responses to Africans and their descendants.